1. How does Brecht explore the corruption of society and the brutality
of humanity? How does he tie these to capitalism? To what ends?
2. Describe the thin (or even non-existent) line between the lawful and the unlawful in the play, and the possible reason(s) for why this is so.
3. How does Brecht dramatize the struggle between the demands of
self-interest and the duties of love? To what ends?4. How does Brecht explore (and satirize) such themes as morality,
immorality, and amorality? Likewise, in what ways are moral
righteousness, moral arbitrariness, and moral ambiguity prominent
in the play? To what ends?5. As a Marxist, Brecht was highly critical not only of the modern world
but of the middle-classes and of the capitalist system more widely.
How are the flaws and crookedness of capitalist society explored in
the play? To what ends?6. As a dramatist, Brecht was heavily intrigued by the dramatic (and
political) possibilities of exploiting irony on the stage. Discuss.
German movie (Brecht’s Threepenny Opera, the 1931 film version directed by G. W. Pabst) choose one out of six topic
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