Nothing is more exciting than fresh ideas, so why are areas of knowledge often so slow to adopt them? Discuss with reference to the human sciences and one other area of knowledge.

Make an argumentative essay stating that in history, the pursuit of objectivity to grapple with historical biases and narratives that silence certain voices makes subjectivity worthy of condemnation. However, subjectivity plays a crucial role in art and is essential for artistic expression. It allows artists to convey their unique perspectives, emotions, and experiences through their work. Subjectivity in the arts allows creativity and imagination to thrive, enabling artists to push boundaries, challenge norms, and create something original. 


Use real-world examples and give insight into why the examples and sources support the argument. How to structure the essay and the guidelines are pasted below.  My example essay is also provided, but do not copy content. It is AI-generated, and will get caught. 

The sources that can be used are listed below, but you can add or not use other sources as well. Make sure to provide in-text citations as well, please.

Davis, Robert. “Blues Music and Subjective Expression: A Cultural Analysis.” Journal of Musicology, vol. 22, no. 3, 2020, pp. 123-140.

Garcia, Maria. “Frida Kahlo: Bridging Personal and Cultural Narratives.” Art History Review, vol. 55, no. 1, 2017, pp. 45-62.

Johnson, Mary. “Interpretive Diversity in Literature: A Case Study of ‘Moby-Dick.'” Literary Studies Quarterly, vol. 30, no. 4, 2018, pp. 215-230.

Nguyen, Minh. “Remembering the Vietnam War: A Comparative Analysis of American and Vietnamese Historical Accounts.” Journal of War and Memory, vol. 15, no. 2, 2018, pp. 75-90.

Smith, John. “Exploring Subjectivity in Abstract Art.” Art Journal, vol. 45, no. 2, 2019, pp. 87-102.

Thompson, Emily. “Challenges of Objectivity in Historical Writing.” History Today, vol. 78, no. 3, 2021, pp. 112-128.

Williams, Patricia. “Silenced Voices: Gender Bias in Traditional Historical Narratives.” Women’s History Journal, vol. 40, no. 5, 2019, pp. 201-218.


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